Monolith

Monolith CD Pre-Orders now available

by on Nov.02, 2009, under Monolith

The CDs and shirts are being produced and we will be shipping orders later this month… Here is the T-shirt design:

Monolith CD + T-Shirt $20:





Monolith CD ONLY $10:




Monolith T-Shirt ONLY $15

Sizes




Shipping is included; Orders to be shipped November 27th.

Monolith is available for digital purchase here:

From Exile Webstore (Bandcamp)


From Exile on iTunes

And, you can, of course, listen to the record in full here:
<a href="http://fromexile.bandcamp.com/album/monolith">Arrival by From Exile</a>

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From Exile’s Monolith is available for digital purchase

by on Oct.16, 2009, under Monolith

After over two years of writing and recording, we are proud to announce that Monolith is now available for digital purchase, with Limited Edition CDs soon to follow!

Click here to purchase “Monolith” in mp3, FLAC, and a variety of other formats

Listen to the record in it’s entirety here;

Digital release includes liner notes and cover art.

Written by Eric Guenther except for the tracks “Apparition”, “Veritas”, and “Monolith”, written by Eric Guenther and Ben Wetzelberger. Produced by Eyal Levi and Eric Guenther. Mixed by Eyal Levi. Mastered at Fullersound. Drums performed by Kevin Talley in June 2008. String recording on “The Unlearning Dissent” performed by Mary Knight (Cello) and Jim Campbell (Violin), and engineered by Brandon Montgomery at WonderRoot Studios in July 2008. Guest solo by Emil Werstler on “Apparition”. Guest solo by Eyal Levi on “In the Faded Silence”.

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From Exile coming to Rock Band Network – Which song do you want to play?

by on Oct.08, 2009, under Monolith

500x_rock-band-network-tools

Rock Band Network has released the software tools to enable independent musicians (scrubs like us) to code their own songs and make them available on the Rock Band Network. This is great news, and I am starting on putting the first From Exile song up as quickly as possible. I don’t even have an Xbox, but I’m sure someone does… right?

First up will be the title track of our upcoming release, Monolith.

Listen to it here (to warm up your chops):
<a href="http://fromexile.bandcamp.com/track/monolith">Monolith by From Exile</a>

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Jorden Haley has done some killer work for us

by on Sep.29, 2009, under Monolith

….and this was too cool NOT to post:

click here to see it 700 something kb)(

Monolith cover art animation

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Experimenting in a Stressful Recording Session

by on Aug.28, 2009, under Monolith, Music Industry

Recording sessions can be tough. I learned this over the long and arduous session that I just finished. It’s not always as simple as you would think. Throw a couple mics in the room and hit the red record button, right?

Then the fun stuff comes into play… After spending hours upon hours in a hot, steamy, dark room, huddled around a computer and countless other humming electro – toys with other stinky dudes who may or may not have bathed within the week (yourself included), agonizing and arguing over whether to use a dotted eighth note or sixlet feel to a 2nd bassline doesn’t really hold your attention the way it should. You lose focus. You forget that this recorded material is going to haunt you for a long time, for better or for worse… The hope is that it is a successful recording and will stick with you forever, but the fear is that, in the end, you won’t want it to.

Anyway, that’s why it is fun and important to change the pace and do something a little different once in a while. It lets the brain reset, and hopefully, if you are resourceful, you can still make something productive and unique out of it. In a couple weeks, when From Exile’s ‘Monolith’ is released, I’ll be getting into the gritty details of specific sounds on the record and where we were having fun.

Here’s an example; TOOL in the studio, annihilating a piano:

I loved this video because I had a similar run-in with a piano a couple years ago… It involved a pair of machetes and a bottle of whiskey, and although I do not have any video footage of this particular night (one, of many, that I probably should have been arrested), I did rip the ‘head off the dragon’, so to speak, and it resides at home with me to this day:

So, to my earlier point on recording experimentation, I had the opportunity to stop by my father’s shop and record some samples of buzz-saws and such for an as-of-yet-unnanounced project (TO BE RELEASED BY END OF YEAR!):


Here is some footage of us working with Eyal Levi on some experimental junk during the Monolith recording session (starts @ 1:38):

We were using key rings, a battlestation of delay pedals, and a glass pipe… bah, I guess I should stop there. I have a show tonight to prepare for!

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